WORK

Objects and paintings emerge from an intensive engagement with the different levels of consciousness. Writing appears not as information, but as energy: rhythm, pressure, repetition, and condensation. It is layered, dissolved, wounded, healed – and forgotten in terms of content once the work has been acted out. Color would distract. Chance as a conscious loss of control is a constitutive element of the work. It opens the process to the spontaneous and intuitive, making movement, tension, and transformation immediately visible. In this way, a visual language emerges between writing, painting, and process – reduced, physical, and uncompromising. The image does not depict inner processes. It is their material and energetic manifestation.